The whole Kevin Smith review....
Yes, it's just that dark - and rightfully so. This is the birth of Darth Vader we're talking about. The only comic moments in the flick are given to R2D2, and while good, they're all pretty few and far between; the order of the day is dark, dark, dark.
Ian McDiarmid and Ewan McGregor steal the show, but Hayden Christensen silences any naysayers who wrote him off as too whiney in "Clones". This is the flick that feels closest to Episodes 4, 5, and 6, because - for the first time since "Return of the Jedi" - there is a clear villain. And for all the shadow-play Palpatine has been upto in the last two flicks, his treachery is about as subtle as John Williams' score in "Sith." Whether he's slowly drawing Anakin toward the Dark Side during an opera/performance art piece with his promise of the Sith's power of life over death, or he's engaged in a balls-to-the-wall lightsaber duel in the Senate with Yoda, his "Little, green friend" (his words, not mine - which I kinda dug, because, interestingly, I think it's the first time anyone's acknowledged that Yoda is green in any of the "Star Wars" flicks), this is the Emperor's movie.
The last fifteen minutes dovetail nicely into Episode 4 (or just plain "Star Wars" for you non-geeks), and the movie is full of link-up moments as well.
- At flick's end, Threepio and Artoo are given to Captain Antilles (with the caveat that the Protocol's memory be wiped).
- The twins, natch, are split up. Leia heads to Alderann with Bail Organa, and Obi Wan hands Luke over to Uncle Owen and Aunt Beru (indeed, the closing shot is Owen holding Luke while looking out over the setting suns of Tatooine - mimicking the shot of the adult Luke doing the same in "Star Wars", complete with callback cue from Williams).
- After he succumbs to the Dark Side, Anakin tries to convine Padme that he can overthrow Palpatine, and together, he and Padme can rule the galaxy as husband and wife.
- Vader and the Emperor stand beside a younger Grand Moff Tarkin on the bridge of a Star Destroyer, overlooking the earliest construction stage of the Death Star.
- Yoda telling Obi Wan that, as he heads to Tatooine to hand over Luke and go into exile, that he should spend his time learning to commune with those who've crossed over to the next stage of life, as Yoda maintains he's been doing with Qui Gon (and Ben will later do with both Luke and Yoda, in "Empire" and "Jedi").
- And, hands-down, the best link-up to "Star Wars" moment that I enjoyed the most: Bail Organa and Yoda stepping into the hallway of the Rebel Blockade Runner that opened "Star Wars". Unlike all the high-tech CGI wizardry of the rest of the prequel Trilogy, this is a low-tech looking set, right out of circa '77, and for some reason, it really captured my imagination. I mean, this is the same exact hallway in which we got our first look at Vader, oh so many years ago, and I appreciated the hell out of Mr. Lucas including it - because it really felt like a nod to the hardcores.
Look, this is a movie I was genetically predisposed to love. I remember being eight years old, and reading in "Starlog" that Darth Vader became the half-man/half-machine he was following a duel with Ben Kenobi that climaxed with Vader falling into molten lava. Now, twenty six years later, I finally got to see that long-promised battled - and it lived up to any expectation I still held. I was sad to see the flick end, but happy to know it's not the end of the "Star Wars" universe entirely (I've read stuff about a TV show...).
"Sith" doesn't happen; "Sith" rules.
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Keep checking his diary, he talks to Rick alot...
http://viewaskew.com/theboard/viewtopic.php?t=32493
and here
http://newsaskew.com/boring
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